English: Hébert was yet another of the artists working in the orbit of Paul Delaroche whose name fell into relative obscurity in the last century. He was, in fact, like Delaroche, one of the most highly regarded and decorated painters of his generation, winning medals at several "Expositions Universelles" (World's Fairs). He received the Grande Croix of the Legion of Honor in 1903.
This is a variant based on a large-scale altarpiece that Hébert painted in time for the Salon of 1872 and that was finally installed in the church of his native town, La Tronche, the following year. Unlike the original altarpiece, which has a patterned background, this version is stylized to recall the conventions of Byzantine icons. The gold ground, raised haloes and Greek letters-mu, rho, theta, and upsilon: the abbreviation of "Maria Theotokos" (Mary God-bearer), often found in Byzantine mosaics-lend the painting a schematic flatness that contrasts dramatically with the otherwise convincingly three-dimensional figures.
日付
1872年と1886年の間
date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1872-00-00T00:00:00Z/9,P1326,+1886-00-00T00:00:00Z/9
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
このデジタル複製は、以下のライセンスの下に公開されています。
Public domainPublic domainfalsefalse
この著作物は、著作者であるWalters Art Museumによって権利が放棄され、パブリックドメインとされました。これは全世界で適用されます。 一部の国では、これが法的に可能ではない場合があります。その場合は、次のように宣言します。 Walters Art Museumは、あらゆる人に対して、法により必要とされている条件を除き、如何なる条件も課すことなく、あらゆる目的のためにこの著作物を使用する権利を与えます。
== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Ernest Hébert}} |title = ''Virgin of the Deliverance'' |description = {{en|Hébert was yet another of the artists working in the orbit of Paul Delaro...